“The World Is Your Canvas” DC ADOBE PHOTOSHOP

Few months ago we directed this fun collage-film for Adobe Photoshop. For this adventure we teamed up with Mathematic.tv and 72andsunny and many other emerging talents Virginie Kypriotis, Ombrebueno, Mariah Midas, Chibuyum, Madkobra, Ferry Gouw, Kervin Brisseaux, Kate Moross Natasha Cunninghma and others. Thanks to all the team involved. Agency: 72andsunny Production Company: Mathematic EP: Hadi Dahrouge Producer: Lucile Barrouillet Shooting Service : Falca DOP: Jose Luis Bernal Art director: Dominique Aizpurua Stylist: Aina Giro de Pedro 1st AD: Julieta Lasarte 2nd AD: Nicolás García Production assistant: Eva Cid 1st AC: Violeta Silva 2nd AC: Edu Collado Video Op: Daniel García DIT: Victor Casasola Key Grip: Adrià Calvo Grip assit+Ronin@Tech: Sebastian Rotaru Gaffer: Oscar Andreo Best boy: Joan Manel Pérez Wardrobe assist: Anna Montull HMUA: Manel Rosa HMUA assistant: Elisabet Rabadan Art assist: Gacy Sarubbi Stunt: Sara Nieves

KEEP CALLING by Liam Saint-Pierre

Subtitles available in English and Spanish. A film about an unlikely couple overcoming loneliness and isolation. Lilian, [92], who suffers from Parkinson's disease, sings at home alone and lonely, until Michael, [45], himself suffering mental health challenges, joins a volunteer group phoning the elderly for company. Michael, lacking confidence, fears she doesn't like him, but he couldn't be more wrong, as their friendship blossoms she teaches the shy volunteer to sing, and soon the two are performing a duet by phone. The film is dedicated to Lillian and to Michael's father Edmund Okonkwo Ifeyinwa Chilokoa who both have sadly passed away. Director/ Producer - Liam Saint-Pierre Camera - Liam Saint-Pierre & John Fisher Editor - Nicole Halova Colour - Lewis Crossfield - Time based arts Sound - Guy Chase

Animator Creating Animation by Deekay

This is a small project I did during my spare time. I am sure we all go through ups and downs when creating art. Maybe caring a little too much about what others think and not enough appreciation towards your own art. Whatever you make, it is still your creation. And it will always give you a like. :) https://ift.tt/38rjkRL

Tesla "The Silence Between Us" by MEETO

TESLA it´s quiet, it´s fast, and it moves though the city landscape in an almost dreamy way. This short film is about the silence that can build up in relationship and in the end how it destroys it. The story is told like flashes of memory whilst a man drives quietly through the city.

Superbloom by MAD TREES

Today, images of the outdoors are focused on how people look, their gender, and what they are wearing while outdoors. But how we feel out there seems more important. Colors zooming by. Nature as our second skin. Confetti leaves and trail parties, cake snacks and hard laughs. Superbloom envisions our shared technicolor experience in the outdoors. This is where buds grow. Created by Anya Miller and Anne Cleary.

I'll End Up In Jail by Travelling distribution

Maureen Sauvageau's escape comes to an abrupt end when she drives her monster truck into a deadly car accident. Stuck in the middle of nowhere, she must share the company and the blame of a rather touching junkie dubbed Jelly the Loon. “I'll End Up In Jail” is this week's Staff Pick Premiere. Read more about it here: vimeo.com/blog/post/staff-pick-premiere-ill-end-up-in-jail-by-alexandre-dostie

A Love/Hate Relationship by Anna Ginsburg

Short Film for Breast Cancer Now !!! I was asked to visualise the nuances and complexities of women’s relationship with their breasts. I hope you find some relatable moments in here and are inspired to check your boobs however you may feel about them. OUTSTANDING ANGEL ALERT .... Production company - Strange Beast Producer - Amy Ashton Senior Producer - Zoe Muslim Executive Producer - Kitty Turley Animation - Anna Ginsburg, Matt Lloyd, George Wheeler, Sheetal Thankey, Harriet Gillian Animation Assistants - Laura Jayne Hodkin, Natasha Pollack, Maria Beverley Morris, Eloise Garlick, Sorrel Milne Music Composition - George Grinling Executive Creative Director - Steve Back, Weber Shandwick Associate Creative Director - Janelle Feliciano, Weber Shandwick THANK YOU EVERYONE THIS ONE WAS A REAL JOY. Gonna order some nipple tassels to celebrate.

Childline: Nobody is Normal by Catherine Prowse

A film for the children’s charity Childline demonstrating that nobody is normal, and that however weird you feel inside you’re not alone. Credits: Director: Catherine Prowse Production Company: Rowdy and Blink Rowdy Producer: Daisy Garside Blink Producer: Joe Byrne Creatuve Agency: The Gate Chief Creative Officer: Lucas Peon Creatives: John Osborne, Rickie Marsden, Sam Whatley Agency producer: Susie Innes Account director: Sam Dempsey Strategy Lead: Kit Altin Media agency: OMD Director of Photography and Colour Grader: George Warren Animators: Tim Allen and Tobias Fouracre Puppet Builder: Adeena Grubb 2D Animator and Compositor: Tom Fisher Rig Removal: Ieuan Lewis BTS: Joe Eckworth Art Department Runners: Feiyang Yin and Stella Chapman Shot at Clapham Road Studios Sound: Major Tom: Jake Wheeler Grand Central: Gary Turnbull, Molly Butcher Music companies: Beggars, Warner Chappell, Concord Soundtrack: Radiohead

12,000 KM by Erik Nylander

12,000 KM Trans-Siberian to Japan The prevailing climate threat has made a bunch of Swedish extreme skiers and snowboarders travel with trains and boats from Stockholm through Russia all the way to Japan, in search of deep powder and the adventure of a lifetime. 
 A great amount of humor, hectic meetings and world-class riding sums up this epic journey. Directed, filmed, edited and produced by: Erik Nylander Starring: Tom-Oliver Hedvall Sibylla Lundström Matteus Lestage Evgeniy Joon Ivanov Johan Rosén William Larsson Kostya San Daisuke Hiroma Additional filming: Johan Rosén Marcus Rönne Drone operators: William Larsson Tom-Oliver Hedvall Marcus Rönne Photography: Erik Nylander Colorist: Joakim Rissveds Chimney Group Sound design: Noah Johnson Viktor Bergdahl Original music: Oliver Reid Animations: Leo Vickman Graphic design(Poster etc): Anton Silvola Narrator: Jeffrey Corrado Music: Oliver Reid – oliverjoshreid.com Grapell – grapell.com The Jon Johns – Noah Johnson Epidemic Sound Supported by: Haglöfs Film Västernorrland Protect Our Winters Epidemic Sound Chimney Group Special thanks to: japanrv-rental.com Oona von Zweygbergk Amanda Kähler Maja Tössberg Anders Justin Kostya San Daisuke Hiroma, Kamasisisou Calle Wachmaister Axel Engström Otaki Shinichirou

Gus Dapperton - First Aid (Official Music Video) by gus dapperton

Town Portal · Vanitas by Gabriele Calvi

Official music video for Town Portal's Vanitas. A free interpretation of a common sleep cycle. A journey through abstract landscapes and anatomical visualizations. Music: Town Portal https://ift.tt/1HRtRBG Concept, Design & Animation: Gabriele Calvi behance.net/gabrielecalvi The music video realized for Vanitas is a free interpretation of a common sleep cycle with the aim of visually representing the dark and eerie sounds of the song. Hence the choice of the subject of “sleep” which, conceived as the most death-like everyday experience, allowed to trace the obscure and nocturnal atmosphere of the track, without sticking too much to the usual imagery associated to heavy music. Anatomical representations, abstract settings, folkloristic figures, nightmares and still lifes ( vanitas ) follow one another unceasingly to emphasize the complex structure of the song by creating continuous rhythmic-visual correspondences. A journey where the protagonist and his consciousness ( the red sphere ) go through the five phases of sleep, from falling asleep to the catharsis of the REM phase, interrupted by an experience of sleep paralysis and followed by a turbulent awakening that brings the protagonist back to reality, in the dawn of a generic city in a day like any other. ©2020 Gabriele Calvi

Legendary: 30 Years of Philly Ballroom by The Philadelphia Inquirer

An inside look into the effort to preserve Philadelphia's ballroom scene, a Black LGBTQ safe-space that has endured for 30 years.

Mokapzu Park by Art&Graft

Welcome to Mokapzu Park, a safari park like no other. After years of hard work, experimentation and science Art&Graft are throwing open the gates for everybody to enjoy. https://ift.tt/3oVjTc2 Created, Directed & Produced by Art&Graft Music & Sound Design –– Echoic Motion Capture Suit –– Rokoko Motion Capture Actor –– George Kemp

Portlands Brandend Hart (Portland's Burning Heart) by JONGSMA + O'NEILL

"Portland's Burning Heart" uses a combination of iPhone footage, on-the-ground photography and haunting voice over to tell the story of Portland's ongoing street protests from the perspective of the woman who knows them best: Emmy-winning photojournalist Beth Nakamura of The Oregonian. Beth is the burning heart at the center of the film, and over the course of its 13 minutes we watch as she evolve from local reporter to teargas-dodging, stab-vest-wearing conflict journalist. Commissioned by the Dutch public network HUMAN in anticipation of the 2020 US elections, the film is a collaboration between Nakamura and the Tim Hetherington Visionary Award-winning filmmaking team Jongsma + O'Neill.

On Being - Ars Poetica #100: I Believe by Jocie Juritz

An animation for On Being as part of their new series sharing poetry with the world. Based on the poem "Ars Poetica #100: I Believe", written and read by Elizabeth Alexander. Each frame was hand painted in gouache onto the pages of the book 'Crave Radiance', which contained the original poem. For lots of behind the scenes details visit my website - https://ift.tt/2JbQBFY The rest of the animations in the series can be seen here - https://www.youtube.com/playlist?list=PLqjezunjhSykPh49Lg8CWHULQ6_JWp5A8

Monsoon 6 (4K, 8K) by Mike Olbinski

Support me on Patreon! https://ift.tt/32JuXhA Blu-Rays and more available: https://ift.tt/3mnF4BA Follow me: https://ift.tt/HQz2lJ http://www.twitter.com/mikeolbinski https://ift.tt/2cP05G6 Music by Péter Nánási: https://ift.tt/2h0Lpq0 --------------------- I've never spent two years making a Monsoon film before, so this was a first. Part of it was wanting to put out the best possible film I could, but a good chunk of it was the fact our recent summer storm seasons have been subpar at best, with 2020 the worst I can remember. 2019 wasn't horrible, but there was about zero dust storms, with only a single haboob clip to salvage from that summer, so I wanted to wait until I had something more to add to it. Luckily for me, August 16th, 2020 happened and we scored a fantastic haboob chase from Casa Grande to Gila Bend along Interstate 8. It was what I had been hoping and praying for to complete this film. That was the only legit haboob day of the past two years and I'm glad I was there for it! Not only for this film, but for the BBC and one of their upcoming projects I'm proud to be a part of! A lot was left on the cutting room floor, in fact, it might be an entire other film, but it was important to me to include only the best, most unique stuff I saw the last two years, plus keep it under 9 minutes long! Finding music was a struggle, so I decided to work once again with Péter Nánási and have a custom score created for Monsoon 6. And boy, he knows me well and hit it out of the park! Thank you sir! I hope you enjoy this film! It's the result of 30,000+ miles, hundreds of thousands of time-lapse frames captured and 60+ days chasing. Some highlights include epic downbursts, gorgeous light, mountains, desert, a stunning supercell and yes, rainbows. Photographed all across the great state of Arizona, where I've lived my entire life. I'd like to thank all my supporters over on my Patreon page! If you're not a member but enjoyed this film, I encourage you to join up. I'm so honored by the folks over there who spend their hard-earned cash to support the work I do, it means so much! Spring is right around the corner, and live streams, targets and all kinds of stuff awaits my Patrons. Finally, I'd like to thank my family. The kids are getting older, they aren't along for as many of the chases, but they support me, they love me and when they can join me, it's always a blast. My amazing wife Jina is my rock, has my back, keeps me humble and gives me advice that is always perfection. I honestly wouldn't be doing this without them! Thank you for watching Technical Details: Everything shot with two Canon 5DSRs and various Canon lenses. A couple lightning sequences with the Sony A7R3 All clips available in 8K Resolution Processed in Lightroom, LR Timelapse, After Effects and Premiere Pro.

MYD 'Moving Men' by Passion Paris

CREDITS Director: Alexandre Nart Production: Passion Paris Producteur: Marion Vermogen & Marc Bodin-Joyeux Post-Producteur: Emile Chaillou Storyboard: Corentin Penloup Environment Design: Maxime Lacombe Animation: Alexandre Nart, Mathieu Bétard, Matis Chéné, Neil Dieu Compositing: Mathieu Bétard Typography Design: Mathilde Vallée Label : ED Banger & Because music Artiste : Myd Featuring : Mac demarco

The Peace of Wild Things by Katy Wang

Directed and animated by Katy Wang Illustration and art direction by Charlotte Ager Music and sound by David Kamp Poem written and narrated by Wendell Berry I'm so excited and grateful to have collaborated with Charlotte Ager to bring to life her beautiful illustrations for this poem. This film involved the most intensive colouring process I've ever used for a project in order to try and accurately reproduce Charlotte's drawings done on paper. Animated in Adobe Animate & coloured in Photoshop https://ift.tt/3kyYWkR https://ift.tt/37KHyWM https://ift.tt/2HANOW6 https://ift.tt/2KCOZSl https://onbeing.org/

Process Presents — To Draw A Horse by Process

To Draw A Horse | Documentary | 15:01 | USA Short of the Week — Official Selection Film Shortage — Official Selection Director's Library — Official Selection "I think that’s a very succinct summation of what To Draw A Horse is and why it’s so great—it’s cinematic therapy. And, in a time when everything feels bleak, I’d argue, it should be required viewing." https://ift.tt/37rnc4A To Draw A Horse is an intimate portrait of self-taught home designer Bob Butler. The film catches Bob a few months after he shuts down his company at the height of its success to take on a personal project. Directed by Brenton Fosner & Stephen Stinson Director of Photography | Logan Dillard Editor(s) | Brenton Fosner & Stephen Stinson Colorist | Logan Dillard Score | Sanders Bohlke (Visual Aid) Sound Design & Mix | Cody Twitchell (Fives Original) Title Design | DEVOTE Production | Back Down South Films (https://bdsfilms.com) & Firecat (https://ift.tt/3jfgsJj)

A Taste of Los Angeles by FilmSpektakel

For the fourth episode of our independent “A Taste of ...” time lapse series we travelled for 13 days to Los Angeles to bring you a time lapse video full of new and highly experimental post production techniques. Read the full story at Time Lapse Magazine: https://ift.tt/3e5SDmn Follow us on Instagram: https://ift.tt/3e1PEvj Technical Details: We shot 155.568 photos, which use 5.3 Terabytes of data on our HDDs. The edit took 64 days and was done in: LRTimelapse ( https://ift.tt/2HHlD8b ) Adobe Lightroom ( https://ift.tt/3kENK6m ) Adobe After Effects ( https://ift.tt/35FaJYx ) Other “A Taste of ...” Episodes: A Taste of New York (2017) https://youtu.be/MRAZ_mSLXrA A Taste of Vienna (2016) https://youtu.be/JfKKjD0GSZo A Taste of Austria (2015) https://youtu.be/SJNgDAx85aI Video by: Lorenz Pritz, Maximilian Lang, Peter Jablonowski, Thomas Pöcksteiner https://ift.tt/3jAqNQq Sounddesign by Alex Clement http://alexclement.at Equipment used: +two Sony A7R III bodies https://ift.tt/3e5EVjo +a Sony A7RII https://ift.tt/2HxSaO8 +a Sony a6300 https://ift.tt/3e2pMiG +a Canon 6D (with Magic Lantern) https://ift.tt/2G5689e +a DJI Ronin-S Gimbal https://ift.tt/2JdDjsy +Sony 10-18mm https://ift.tt/2TwyBbc +Laowa 10-18mm https://ift.tt/3myd5PV +Sony 12-24mm https://ift.tt/3e28guU +Canon 17mm TiltShift +Canon 24-105mm https://ift.tt/3mwaAh0 +Sony 24-70mm https://ift.tt/2TxHbq4 +Tamron 150-600mm https://ift.tt/3kAMn8t _________________________________ Visit our website: https://ift.tt/3jAqNQq The footage from this film is available for licensing through Filmsupply: https://ift.tt/2TuRxXE Contact: office(at)filmspektakel.at