Thursday, October 6, 2016
Wednesday, October 5, 2016
Curmudgeons by Jersey 2nd Avenue
A pair of senior citizens have a relationship that shocks both their families in this potty-mouthed, but endearing, comedy. Starring and directed by Danny DeVito. Website: http://ift.tt/1SGsWJF /// Twitter: @curmudgeonsfilm Ralph...David Margulies Jackie...Danny DeVito Robin...Lucy DeVito Daniela...Sarah Nina Hayon Brant...Kett Turton Directed By Danny DeVito Written and CoProduced By Joshua Conkel Produced By Jake DeVito, Lucy DeVito, and Danny DeVito Cinematographer...Łukasz Bielan Editor....Brett Haley Production Designer...Jonathan Mosca Composer...Jon Brion Costume Designer...Carisa Kelly Hair and Makeup...Camelia Sealy Music Supervisor...Lauren Mikus Camera Operator...Anastas Michos 1st AD... TJ Choi 2nd AD...Joshua Lucas Gaffer... Russell Burger Key Grip... Tim Rea 1st AC...DJ Carroll 1st AC...Jake Ladehoff Steady Cam Operator... Bill Saxelby DIT / 2nd AC... Gary Bardizbanian Set Photographer... Karolina Bielan DIT / 2nd AC / Assistant editor...Joshua Koenig Legal Council... Joel Behr, Nicholas Reder Production Sound... David McRorie Script Supervisor... Zairi Malcolm Music Editor... Eric Cadieux Controller... Nikki Grosso Accountant... Charlotte Wright Production Assistants George Basiev, Abe Douek, JP Cayetano, Gautam Singhani Art Production Assistant... Liz Flood Ending Credits... Hall Ramirez Gracious Host... Joyce Haber Location Manager... Lisa Marciano Background Abraham R. Safdieh Olga Kubie Frieda Esses Renee Klein Joyce Haber Pat Cohen Sally Sultan Digital Intermediate Services provided by Harbor Picture Company Sr. Colorist Joe Gawler Conform Artist Dylan Ball DI Producer Matt Caruso Sr. DI Producer Kevin Vale Sound Post Production Services provided by Harbor Sound Dialogue Editor Josh Berger Sound FX Editors Giuseppe Cappello & Ian Gaffney Rosenfeld ReRecording Mixer Josh Berger Special Thanks to To all of the residents of Ahi Ezer Rhea Perlman, Gracie DeVito, Gus Goldsack, Lois Smith, Sal Giarrantano, Ike Cherra. Alex Resnikoff, Chloe Domont, Stan Rosenfield, Megan Hill, Ensemble Studio Theatre, Tiffany and Jayce Bartok, David Newman, Doug Morris, Lou Adler, Toby Emmerich, JoAnn Kalb, Lynzee Klingman, Quentin NguyenDuy
MALL 84 by Gervart
This film is a love letter to the 1980's.. Music by Mitch Murder: http://ift.tt/1FWp42B Directed by Gervais Merryweather: http://ift.tt/1yRcV7O A special thanks to Marlène Beaube for your support
Tuesday, October 4, 2016
Monsoon III (4K) by Mike Olbinski
Blu-Ray discs available here: http://ift.tt/1NmxOlE Song by Kerry Muzzey: "Revenge"/ "Revenge: Epilogue" (on iTunes: http://bit.ly/KM_TM3 Amazon: http://bit.ly/KM_REVENGE) Follow me: http://ift.tt/HQz2lJ / http://www.twitter.com/mikeolbinski / http://ift.tt/2cOYIHr / http://ift.tt/2cP05G6 ----------------- If you asked the average person, many would characterize this summer's monsoon as a down season. Not a lot of storms overall and it seemed generally more quiet. And in many ways it actually was a slower season. All told I chased about 36 days for this film, which was less than the 48 in 2015. We had an early start in late June, and then it was dead for almost three weeks. When I looked back and realized I chased 12 less days...yeah, it definitely had less action than normal. But to a storm chaser, none of this really means anything. Sure there were days when nothing was remotely possible to chase, but most of the time the monsoon can be found in the far corners of the state even when Phoenix and Tucson are dry as a bone. For me personally, I loved this season. Maybe because as a filmmaker, having put out a few of these films now, I'm beginning to focus and hone in more on what I really love to time-lapse. My early scenes years ago had a lot of average clouds and distant rain that didn't have a lot of excitement or energy. But as the years go on, and I learn more and more about chasing storms here in Arizona...I've found myself in better spots to capture the stuff I really enjoy. Strong downbursts of rain, building clouds, lightning...and yes, dust storms. The one thing I was hoping for in 2016 that the previous years have lacked: Haboobs. Dust storms. Rolling walls of dirt and sand engulfing the deserts and even Phoenix itself. And my wish came true in that regard. Even a very late season, September 27th haboob that I captured right at sunset with glorious colors. Coming off the heels of filming Vorticity in the spring, with monster supercells and tornadoes, the monsoon is a totally different beast and you'd think it would be less exciting. I don't know. I find them both amazing and inspiring. Weather to me is weather. No matter how mind-blowing it was to witness the Wynnewood tornado this past spring, standing in front of a rolling wall of dust, or a distant lightning storm under the stars...it's all a blast to me and I never get tired of it. So Monsoon III...the credits will say it, but it was around 36 days of filming, I shot over 85,000 frames and am not sure how much made it into the final cut. The song I used was "Revenge" and "Revenge: Epilogue" by Kerry Muzzey, and I took both of them and sliced and diced until I actually had a six-minute version to fit in with all the footage I captured. I love it. As always...THANK YOU to Kerry Muzzey for supporting my work by letting me use his music once again. I don't even have enough words for this man for doing this for me. It means more than anything! Please buy his work! I started editing this film mid-summer once I figured out the song I was using. And as days went by and more clips were rendered, I kept adding them and re-arranging them all the time, trying to get every clip to match the tone and feeling of the music. And then I'd think I was done and more storms would come and I'd have to move things around again, and even drop stuff. I have a lot of fun scenes that are not in this film because I only wanted the very best. Special thanks to Bryan Snider and Dustin Farrell for some tips this summer on editing out dust spots and birds better than I had been doing. Appreciate it fellas! My wife takes the brunt of what I do, especially when I'm gone for days at a time. Filming in Arizona is easier because I'm usually home at some point in the evening and at least around in the mornings. But it's a lot of work and a lot of time being away. She supports me like no other and I can't believe how lucky I am to have someone with that much faith in what I do. And a lot of these clips will forever hold memories for me because my two oldest kiddos were there for them, and at times even all three were nearby. My littlest guy who just turned three, sits on my lap a lot when I edit, listens to the music and loves watching the final product. And he wants to keep watching it...over, and over and over. Makes a daddy proud. I hope you enjoy this latest installment. I'm not sure how it compares to years past, but for better or worse, this was Monsoon 2016 for me! Please let me know if you have any questions about anything! Most of these clips were shot in 8K with some 4K stuff thrown in there as well. ----- Captured with a Canon 5DSR, two 5D3's, 11-24mm, 16-35, 35mm, 50mm and 135mm. Processed using Lightroom, LR Timelapse, After Effects and Premiere Pro
Bosco Rogers - Beach! Beach! Beach! (Official Video) by Bosco Rogers
Taken from the album 'Post Exotic' OUT NOW Wordwide. Buy or stream http://ift.tt/2cPTxC0 Order the LP http://ift.tt/2cPPqWN Subscribe to Bosco Rogers's channel http://ift.tt/2cPOGRu Directed by Benoît Musereau, Cindy Lo & Emilie Pigeard Assisted by Albane Chaumet Edited by Arnaud Viémont Produced by Les productions du Désert Music video by Bosco Rogers performing Beach! Beach! Beach! © 2016 Bleepmachine With support of the FCM and the SCPP -------------------------------------------------- CONNECT WITH BOSCO ROGERS -------------------------------------------------- Follow Bosco Rogers: Official - http://ift.tt/2dGtbZi Facebook - http://ift.tt/2cPPaHl Twitter - http://twitter.com/BoscoRogers Instagram - http://ift.tt/2cPP5Dn Youtube - http://www.youtube.com/channel/UCtY_o... Dailymotion - http://ift.tt/2dGrGdI Vimeo - http://ift.tt/2dGrprm Follow Bleepmachine: Official - http://ift.tt/2cPOIc4 Facebook - http://ift.tt/2dGryLs... Twitter - http://twitter.com/bleepmachine Instagram - http://ift.tt/2dGrCe2 Youtube - http://www.youtube.com/bleepmachine Soundcloud - http://ift.tt/2cPPc1V Contact: bleep@bleepmachine.com
CALLS TO OKIES: The Park Grubbs Story by The Bear
In the early 1980s, before the Jerky Boys brought prank phone calls to a mainstream audience, a group of Oklahoma teenagers were conducting strange backwoods experiments with their landline telephone. These underground prank calls gained infamy, and became known as Park Grubbs, garnering such fans as The Flaming Lips, Daniel Clowes (Ghostworld, Art School Confidential), and Peter Bagge (Hate). Directed by two Okie filmmakers, Bradley Beesley and Ben Steinbauer, and featuring interviews with both the pranksters and the pranked, the legendary Park Grubbs prank calls come to life in this one-of a-kind documentary. Directors: Bradley Beesley & Ben Steinbauer Executive Producer: Berndt Mader Producer: Tyson Meade, Bradley Beesley, Ben Steinbauer Cinematographer: Bradley Beesley Editor: Ron Pippin, Mike Melendi Sound Designer: Corey Roberts Music: Steven Drozd, Tyson Meade & The Flaming Lips
Velodrool by Sander Joon
Contact: sander.joon (at) gmail.com Hand-drawn animation / 6'12" / HD / 16:9 / colour / stereo Credits Author: Sander Joon Sound, music: Sander Põldsaar, Andres Dajek Supervisors: Priit Pärn, Olga Pärn, Andres Mänd ja Trygve Nielsen Production: Estonian Academy of Arts Year: 2015 Synopsis An addicted biker runs out of cigarettes. He joins a race to get more, but has to take help from some peculiar people in the audience to stay in the competition. Awards Fredikstad Animation Festival 2015 - Grand Prix Melbourne International Animation Festival 2016 - Best of the Festival Ottawa Animation Festival 2016 - Best Animation Technique Viborg Animation Festival 2016 - Staff Pick / Ginger Award IndieLisboa 2016 - Special Mention PIAFF 2016 - Special Mention Cartoon d'Or 2016 - Nomination Official Selections Annecy 2016 - Student Competition Zagreb 2016 - Student Competition Holland Animation Film Festival 2016 - Student Competition Anifilm 2016 - Competition Fest Anca 2016 - Student Competition Krok festival 2015 - Competition Animateka 2015 - Student Competition Anima-Brussels 2015 - Student Competition DOK Leipzig 2015 - Competition KLIK! 2015 - Student Competition AnimaSyros 2015 - Student Competition Animated Dreams 2015 - Student Competition Hiroshima 2016 - Stars of Students Chitose Airport 2015 - Student Panorama
Monday, October 3, 2016
Von Neumann Machine by Eoin Duffy
A special instalment of TED Ed's educational series. ROEY TZEZANA: Writer EOIN DUFFY: Design / Animation ADDISON ANDERSON: Narrator WESLEY SLOVER: Music and Sound Design GERTA XHELO: Producer JESSICA RUBY: Production Coordinator TED ED: Client
Captains "Heavy Metal Works" by Amar Hernandez
Descripción: Videoclip para Captains “Heavy Metal Works”. DOP/Color: Daniel Meré. Producción: Inlight. Actores: Álvaro Quintana, Uma Karina, Isia Eryka. Asistentes de cámara: Tulio Ferreira y Jorge Fonseca. Eléctricos: Eduardo G. Mon, Jose Silva y Edu Vinuesa. Estilismo: Gema Martín y Javier Lozoya. Diseño gráfico: David Negrone. Captains: Fee Reega, David Baldo, Oskar SD, Aaron Dall. Gracias a: Thiago Quadrado, Lucia Outeda, Carlota Espada, Mario García, Aby Loya, Elena González, Pelayo Campa, Daniel Parrilla, Hostal San Félix, Ferrallas Las Arobias y a la Sala Sol. ////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// Description: Videoclip for Captains "Heavy Metal Works". DOP/Colour: Daniel Meré. Production: Inlight. Starring: Álvaro Quintana, Uma Karina, Isia Eryka. Camera Assistants: Tulio Ferreira y Jorge Fonseca. Electricians: Eduardo G. Mon, Jose Silva y Edu Vinuesa. Stylist: Gema Martín y Javier Lozoya. Graphic Design: David Negrone. Thanks to: Thiago Quadrado, Lucia Outeda, Carlota Espada, Mario García, Aby Loya, Elena González, Pelayo Campa, Daniel Parrilla, Frisco,Hostal San Félix, Ferrallas Las Arobias and Sala Sol. http://ift.tt/2dlIAi1 http://ift.tt/2dEy1Cc
OY "SPACE DIASPORA" by Moritz Reichartz
This is the music video for the song "Space Diaspora" of OY's [http://ift.tt/2cNoeIh] new album bearing the same name. The musicians Joy & Lleluja - about the clip & song: On our new album we tell the story of mankind’s future on a imaginary planet called Space Diaspora. So Space Diaspora is the second single and the title track of our new album. The song is the beginning of this space opera and tells the story of the departure & transformation of planet Earth in and onto Space Diaspora. We couldn’t have been more lucky than to have Moritz Reichartz illustrate and interpret this story for us. The clip allows further imagination and interpretation.. and so we invite people to participate and build their own story. ‘After all, in spite of all technological inventions, the farthest we can travel is still with our minds.’ The label sais: Life on Space Diaspora is a reflection and a distortion of our own struggling world, conveying sentiments of modern alienation and transnational identity. OY’s thoughtful and humorous, tongue-in-cheek approach looks back at current times from the vantage point of a chaos-driven but blooming society in our own future. A vision which elicits tears as well as smiles, and praises the huge potential of the in-between. The director Moritz Reichartz about the clip: Technically speaking, the video is generated almost without keyframes, which are traditionally an essential tool for computer based animation. I work with these nokeyframe techniques for the last two years (latest publised result is "Hands Off [AI]" http://ift.tt/2d6gRly) as i found they often produce unforseable, better than imagination results that are filled with a lot more life and provide a wide spectrum of outcome to choose from. Dynamic simulations, noise and time driven animations and textures, hair systems, formula based deformers, force and turbulence guided particle systems and many caches baked in specefic chronological orders brig this story to life. The process for the video was more the one of a labrotory rather that the one of inbetweening classical storyboard images in squares. Probably not more that 40 keyframes, mostly used for the camera work where used in this project. CREDITS: Music: OY [http://ift.tt/1MzNxPj] Derection, Design, Animation and Images: Moritz Reichartz
Sunday, October 2, 2016
CNMI_Waiting Room by THE BLINK FISH
A film by : The Blink Fish Directed by: Matteo Grimaldi e Giacomo Boeri Sound: Smider Production manager: Marco Agnesi DOP: Francesco Galli Camera Assistant: Niccolò Di Guida Gaffer. Adriano Ferracin Edit: Matteo Grimaldi Color: Lorenzo Ameri Art Direction and Production Design: Gabriele Cavalchi Set Builder: Mattia Pozzi Stylist: Georgia Tal Hair: Rory Rice Makeup:Giovanni Iovine Models: Joyce@Monster , Lucy@IceModels, Adele@Wanderwall, Wanda @ IceModels Emi@IceModels
The Seaweed Sisters - "Part Tree" by Isaac Ravishankara
Choreographed & Performed by The Seaweed Sisters: Megan Lawson, Jillian Meyers & Dana Wilson Directed & Edited by: Danny Madden & Isaac Ravishankara Shot by: Jacki Moonves Featuring: "When I Grow Up" by Fever Ray "When I Grow Up (D Lissvik Remix)" by Fever Ray "Born Free" by Matt Monro With Help from: Greer Whillans Color by: Derek Hansen @ The Mill LA isaacravishankara.com ornana.com missmeganlawson.com thedanawilson.com jillianmeyers.com
Saturday, October 1, 2016
The Many Sad Fates of Mr. Toledano by The New York Times - Video
Phillip Toledano was terrified of growing old. So he decided to do it as many times as possible. By Joshua Seftel. Read the story here: http://nyti.ms/2danssP
Friday, September 30, 2016
NONE by Ash Thorp
FULL SCREEN AND HEADPHONES YIELD THE BEST RESULTS NONE is a short film that explores the balance of light and darkness. It has a personal narrative which plays with the notion of finding yourself amidst the noise around you. More information - CREDIT DIRECTOR / DESIGNER / CG ARTIST - Ash Thorp CO-DIRECTOR / DESIGNER / CG ARTIST - Christopher Bjerre CHARACTER DESIGNER - Alex Figini COMPOSER - Ben Lukas Boysen SPECIAL THANKS Raphael Rau Cornelius Dammrich Vitaly Bulgarov Turbo Squid Otoy
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